The double key to reading the Duchamp’s work perfectly sums up the inspiration of the brand.
In French “Elle a chaud au cul” literally “She is hot to the ass” or “She is horny”, in English “Look”.
The photographic reproduction of the Monna Lisa with a moustache is a manifesto against conformity, with which Duchamp did not intend to deny Leonardo’s art but to honour it.
The Dadaist intervention, therefore, redeems the masterpiece from the banality of reproduction and returns it to the private dimension of creation.